Unfortunately, most of my favorite profiles were not available online--the publications were only willing to give 'previews'. If anyone is interested, check out the Madlib piece from the British publication Wire, or the John Mayer piece from the newest Rolling Stone.
Sasha Frere-Jones usually gets a lot of shit, but this is an article that I on the other hand truly enjoyed.
http://www.newyorker.com/arts/critics/musical/2008/12/01/081201crmu_music_frerejones?currentPage=1
Justin Bolois
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